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Bookmark: https://artcollection.carleton.edu/objects-1/info/1280
Bleeding Heart
197020th century
51 1/2 in. x 24 7/8 in. (130.81 cm x 63.18 cm)
Mauricio Lasansky, American, (1914–2012)
Object Type:
Prints
Creation Place:
North America, United States
Medium and Support:
color intaglio on paper
Credit Line:
Carleton College Art Collection
Accession Number:
1998.230
Multiple plates; techniques including engraving, etching, soft ground, drypoint, aquatint, open-bite areas, water ground, electric stippler, embossment, scraping and burnishing.
Keywords
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This object has the following keywords:
20th Century,
21st Century,
American*,
Contemporary*,
intaglio printing*,
intaglio prints*,
paper (fiber product)*,
prints (visual works)*
- 20th Century
- 21st Century
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- intaglio printing - Printing processes in which the image prints from ink held in the recessed areas of the plate or block, which have been cut or etched away.
- intaglio prints - Prints made using the process of intaglio printing.
- paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."