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Gnadenhutton
198320th century
11 in. x 10 1/2 in. x 2 1/2 in. (27.94 cm x 26.67 cm x 6.35 cm)
Lawrence Freeman,
Object Type:
Sculpture and Installations
Creation Place:
North America, United States
Medium and Support:
hydrostone, graphite ink mounted on particle board panel
Credit Line:
Carleton College Art Collection
Accession Number:
1997.289
Artist was 1982 Dayton Hudson Distinguished Visiting Artist/Teacher in studio arts.
Keywords
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This object has the following keywords:
20th Century,
Contemporary*,
graphite (color)*,
graphite (mineral)*,
hydrostone*,
ink*,
mounting*,
particle board*,
sculpture (visual work)*,
three-dimensional*,
wood (plant material)*
- 20th Century
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- graphite (color) - Refers to a range of gray colors resembling the color of the mineral, graphite.
- graphite (mineral) - Naturally occurring crystalline form of carbon dimorphous with diamond. Graphite has a layered structure that consists of rings of six carbon atoms arranged in widely spaced horizontal sheets, and thus crystallizes in the hexagonal system, in contrast to the same element crystallizing in the octahedral or tetrahedral system as diamond, resulting in very different characteristics in each. Graphite is opaque, soft, greasy to the touch, and iron black to steel gray in color; it occurs as crystals, flakes, scales, veins, bedded masses, or disseminations in metamorphic rocks.
- hydrostone - Ordinary casting plaster of 100 parts solid and 45 parts water.
- ink - A fluid medium used for drawings or tracings. An opaque, usually black, pigment is mixed with a vehicle such as water to produce a fluid which can be applied with a pen or stylus. Through the end of the 19th century, ink was supplied dried in stick or block form which was ground and mixed with water as needed. At the beginning of this century prepared ink became popular.
- mounting - Attaching to a secondary support; as in attaching a paper artifact to a stiff board, sometimes preparatory to matting.
- particle board - Board made from woodchips bonded with a synthetic resin.
- sculpture (visual work) - Works of art in which images and forms are produced in relief, in intaglio, or in the round. It refers especially to those objects that retain the quality of being tangible objects or groups of objects. It refers particularly to art works created by carving or engraving a hard material, by molding or casting a malleable material, or by assembling parts to create a three-dimensional object. It is typically used to refer to large or medium-sized objects made of stone, wood, bronze, or another metal. Small objects are typically referred to as "carvings." As works become more diffused in space or time, or less tangible, use specific terms, such as "mail art" or "environmental art."
- three-dimensional - Having, or appearing to have, the three dimensions of length, width, and height.
- wood (plant material) - The principal tissue of trees and other plants that provides both strength and a means of conducting nutrients. Wood is one of the most versatile materials known.
Dimensions
- overall Dimensions: 11 x 10 1/2 x 2 1/2 in. (279 x 267 x 64 mm)