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Bookmark: https://artcollection.carleton.edu/objects-1/info/1832
Hot Hat-Cool Gaze
196620th century
17 3/4 in. x 15 3/4 in. (45.09 cm x 40.01 cm)
Cynthia M. (Munro) Marks (aka Cynthia M. Munro), American
Object Type:
Prints
Creation Place:
North America, United States
Medium and Support:
color etching on paper
Credit Line:
Carleton College Art Collection, gift of Cynthia Munro Marks, class of 1957
Accession Number:
2008.013
Cynthia Munro (now Marks) graduated from Carleton in 1957 and went on to study printmaking at the University of Iowa. Her prints, including Hot Hat-Cool Gaze, embody the rich visual impressions produced by Iowa printmakers under the guidance of Mauricio Lasansky, who headed the University fine arts graduate program. This intaglio print deploys dynamic lines in etching and drypoint, and vivid color areas to represent a modish young woman. Over forty years after Marks pulled this print from the press, Hot Hat-Cool Gaze reads as a delightful reminder of the stylish sixties.
Carleton bought two prints from Marks in 1963 for circulation through the Art Rental Program. In 2007, she donated a further group of prints to the college on the occasion of her 50th class reunion. Marks lives in Larchmont, New York.
Carleton bought two prints from Marks in 1963 for circulation through the Art Rental Program. In 2007, she donated a further group of prints to the college on the occasion of her 50th class reunion. Marks lives in Larchmont, New York.
Keywords
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This object has the following keywords:
20th Century,
21st Century,
American*,
Contemporary*,
etching (printing process)*,
etchings (prints)*,
paper (fiber product)*,
prints (visual works)*
- 20th Century
- 21st Century
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- etching (printing process) - Intaglio process in which the design is worked into an acid-resistant substance coating the metal printing plate; the plate is then exposed to acid, which etches the plate where the metal is exposed, to create lines and dark areas. For the single step of exposing the plate to acid, use "biting."
- etchings (prints) - Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."
- paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
Dimensions
- image Dimensions: 17 3/4 x 15 3/4 in. (451 x 400 mm)