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Hover, from portfolio "Intimate Immensity"
ca. 200521st century
11 in. x 15 in. (27.94 cm x 38.1 cm)
Fred Hagstrom, American, b. 1954
Object Type:
Prints
Creation Place:
North America, United States
Medium and Support:
Intaglio on chine colle
Credit Line:
Carleton College Art Collection, gift of Fred Hagstrom
Accession Number:
2009.016.07
Keywords
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This object has the following keywords:
21st Century,
American*,
chine collee*,
Contemporary*,
intaglio printing*,
intaglio prints*,
portfolios (groups of works)*,
prints (visual works)*
- 21st Century
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- chine collee - A strengthening technique used in printing whereby a thin sheet of paper, originally China paper, is adhered to a heavier backing sheet and printed at the same time.
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- intaglio printing - Printing processes in which the image prints from ink held in the recessed areas of the plate or block, which have been cut or etched away.
- intaglio prints - Prints made using the process of intaglio printing.
- portfolios (groups of works) - Groups of works brought together such as to exemplify the work of an artist or student. Also, groups of art works or other visual materials (often by one artist) such as photographs or prints, issued or housed together in a portfolio; they often include a loose title page or text introduction.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
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