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Ray's First Etching, from Portfolio 15
197820th century
20 in. x 23 7/8 in. (50.8 cm x 60.64 cm)
Ray Herdegen, American, b. 1950
Object Type:
Prints
Creation Place:
North America, United States
Medium and Support:
sugar-lift etching and plate tone in sepia ink, color screenprint, and drypoint
Credit Line:
Carleton College Art Collection, gift of Northwestern National Bank of Minneapolis
Accession Number:
2008.055
Number 4 from a portfolio of 15 prints by 15 artists commissioned by Northwestern National Bank, Minneapoiis.
Keywords
Click a term to view the records with the same keyword
This object has the following keywords:
20th Century,
21st Century,
American*,
Contemporary*,
drypoint (printing process)*,
drypoints (prints)*,
etching (printing process)*,
etchings (prints)*,
ink*,
paper (fiber product)*,
prints (visual works)*,
screen printing*,
screen prints*,
sepia (ink)*,
sugar-lift*
- 20th Century
- 21st Century
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- drypoint (printing process) - Intaglio process in which a sharp needle scratches the plate creating a burr that yields a characteristically soft and velvety line in the final print.
- drypoints (prints) - Prints made using the drypoint process.
- etching (printing process) - Intaglio process in which the design is worked into an acid-resistant substance coating the metal printing plate; the plate is then exposed to acid, which etches the plate where the metal is exposed, to create lines and dark areas. For the single step of exposing the plate to acid, use "biting."
- etchings (prints) - Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."
- ink - A fluid medium used for drawings or tracings. An opaque, usually black, pigment is mixed with a vehicle such as water to produce a fluid which can be applied with a pen or stylus. Through the end of the 19th century, ink was supplied dried in stick or block form which was ground and mixed with water as needed. At the beginning of this century prepared ink became popular.
- paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
- screen printing - Printing by forcing ink or dye through a mesh on which a design has been formed by stopping out certain areas.
- screen prints - Prints made by exclusively using the process of screen printing, whether originated by hand or photographically.
- sepia (ink) - Artist's ink made from the brown pigment derived from the ink of cuttlefish, an invertebrate related to the octopus and squid. The cuttlefish uses the natural ink defensively. To make artist's ink, the animal's ink sac is extracted, dried, then dissolved in dilute alkali, and further processed. The resulting pigment is chemically inert and fairly permanent; it is used primarily as a drawing ink and to apply washes. Sepia ink has been used at least since ancient Roman times. It was particularly popular as a drawing medium from the Renaissance onwards, and in the late 18th and 19th centuries generally replaced bistre as a medium for making wash drawings.
- sugar-lift - Lift-ground technique in which sugar solution is used.
Additional Images
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Dimensions
- plate Dimensions: 20 x 23 7/8 in. (508 x 606 mm)
Portfolio List
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