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Red Headed Elvis in Dreamtime
December 26, 199920th century
25 1/4 x 19 1/2 in. (641 x 495 mm)
Oscar Jay Gillespie, American, b. 1952
Object Type:
Prints
Medium and Support:
intaglio print, collage, drawing on paper
Credit Line:
Carleton College Art Collection, gift of Fred Hagstrom
Accession Number:
2011.017
Keywords
Click a term to view the records with the same keyword
This object has the following keywords:
20th Century,
American*,
collage (technique)*,
collages (visual works)*,
Contemporary*,
drawing techniques,
drawings (visual works)*,
intaglio printing*,
intaglio prints*,
paper (fiber product)*,
prints (visual works)*
- 20th Century
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- collage (technique) - Refers to the technique of making compositions in two dimensions or very low relief by gluing paper, fabrics, photographs, or other materials onto a flat surface. If heavy three-dimensional objects dominate, see "assemblage (sculpture technique)." If the constituent fragments form a somewhat unified image, see "montage."
- collages (visual works) - Refers to works produced by the technique of collage. If photographs dominate the composition, use "photocollages."
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- drawing techniques
- drawings (visual works) - Visual works produced by drawing, which is the application of lines on a surface, often paper, by using a pencil, pen, chalk, or some other tracing instrument to focus on the delineation of form rather than the application of color. This term is often defined broadly to refer to computer-generated images as well.
- intaglio printing - Printing processes in which the image prints from ink held in the recessed areas of the plate or block, which have been cut or etched away.
- intaglio prints - Prints made using the process of intaglio printing.
- paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
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