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Small grid
197320th century
36 3/4 in. x 48 in. (93.35 cm x 121.92 cm)
Susan Michod, American
Object Type:
Paintings
Creation Place:
North America, United States
Medium and Support:
acrylic on canvas
Credit Line:
Carleton College Art Collection, purchased with funds from the Charles E. Merrill Trust
Accession Number:
1998.192
Keywords
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This object has the following keywords:
20th Century,
21st Century,
acrylic paint*,
acrylic painting (technique)*,
American*,
canvas*,
Contemporary*,
paintings (visual works)*
- 20th Century
- 21st Century
- acrylic paint - Paint consisting of pigments or dyes bound in an emulsion of acrylic, which is a colorless, transparent, thermoplastic synthetic resin made by the polymerization of acrylic acid derivatives. Acrylic paint is water soluble while wet and fast drying, but once the paint has dried, it is flexible and resistant to water. Acrylic paint was first made commercially available in the 1950s.
- acrylic painting (technique) - The art or practice of producing creative works with acrylic paint.
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- canvas - Closely woven textile made in various weights, usually of flax, hemp, jute, or cotton, used especially for sails, tarpaulins, awnings, upholstery, and as a support for oil painting. Also used for a latticelike mesh made of similar material, used as a needlepoint foundation.
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- paintings (visual works) - Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.
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