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Stolen Memory, from portfolio "Intimate Immensity"
200721st century
11 x 15 in. (279 x 381 mm)
Robyn Stoller, American
Object Type:
Prints
Medium and Support:
Letterpress on paper
Credit Line:
Carleton College Art Collection, gift of Fred Hagstrom
Accession Number:
2009.016.01
Keywords
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This object has the following keywords:
21st Century,
American*,
Contemporary*,
letterpress printing*,
paper (fiber product)*,
portfolios (groups of works)*,
prints (visual works)*
- 21st Century
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- letterpress printing - The process of relief printing in the context of book and other text printing.
- paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
- portfolios (groups of works) - Groups of works brought together such as to exemplify the work of an artist or student. Also, groups of art works or other visual materials (often by one artist) such as photographs or prints, issued or housed together in a portfolio; they often include a loose title page or text introduction.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
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