Perlman Teaching Museum - The Suffolk Coast, harbor scene

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Bookmark: https://artcollection.carleton.edu/objects-1/info/273

The Suffolk Coast, harbor scene

1932
20th century
7 3/4 in. x 9 3/4 in. (19.69 cm x 24.77 cm)

Martin Hardie, British, (1875–1952)

Object Type: Prints

Creation Place: Europe, Scotland

Medium and Support: etching and drypoint on paper

Credit Line: Carleton College Art Collection, gift of Gerard R. Pomerat on behalf of Dr. Charles M. Pomerat

Accession Number: 1997.044

Keywords Click a term to view the records with the same keyword

This object has the following keywords:

20th Century, 21st Century, Contemporary*, drypoint (printing process)*, drypoints (prints)*, English*, etching (printing process)*, etchings (prints)*, paper (fiber product)*, prints (visual works)*

20th Century
21st Century
Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
drypoint (printing process) - Intaglio process in which a sharp needle scratches the plate creating a burr that yields a characteristically soft and velvety line in the final print.
drypoints (prints) - Prints made using the drypoint process.
English - Refers to the culture of the modern country of England, or in general to cultures that have occupied the southern part of the island of Great Britain, usually excluding Wales. It may refer to the the culture of the Angles, one of the Teutonic peoples who settled in Britain in fifth century CE. The term is occasionally used to refer to the culture of the entire nation of the United Kingdom, although technically England is an administrative subdivision of the United Kingdom.
etching (printing process) - Intaglio process in which the design is worked into an acid-resistant substance coating the metal printing plate; the plate is then exposed to acid, which etches the plate where the metal is exposed, to create lines and dark areas. For the single step of exposing the plate to acid, use "biting."
etchings (prints) - Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."
paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."

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